Showing posts with label artifacts. Show all posts
Showing posts with label artifacts. Show all posts

Sunday, May 13, 2012

True Story's Artifact Night is this Friday!



Sure, artifacts have always been part of True Story nights — but this Friday, May 18th at Kavarna, we're giving the spotlight to show-and-tell time. Expect the strange. The tragic. The humorous. The embarrassing. All of it true, as six stouthearted souls share short, simple true stories about Mysterious Objects from their Past! 

The show-and-tellers

Alison HARNEY 
Bill TAFT
Jennifer NITTOSO
Kate SWEENEY
Randy OSBORNE
Sirkka HOUGARD


If you just can't wait, here are just a few stories of artifacts that True Story has curated in the past:
Teddy's Dreams  --Jack Walsh
I Faked My Name --Jessica Handler
The Key --Randy Osborne

For more strange stories of real artifacts, see you Friday at 8:00 at Kavarna! 

Saturday, April 21, 2012

Success! See you in May for Artifact Night!



Last night's stellar performances from Susan Rebecca White, Myke Johns and Jason Mallory have us feeling like we're jumping rope inside this Go! Team song. Thanks, too, to Vouched Books, for bringing the tableful of impressive local lit. 


What's NEW/What's NEXT


Ohboy, ohboy, ohboy.


Friday, May 18th, True Story is hosting its first-ever All Artifact Night! 
That’s right: Six stouthearted souls shall share simple true stories about the objects from their past. 
Expect the strange. The tragic. The humorous. The embarrassing. All of it true! 


It's one night of pure show and tell for grown-ups. Friday, May 18th. 8:00 pm at Kavarna. Always free.

Sunday, September 11, 2011

Artifact #5: Letter from the Kibbutz



Letter from the Kibbutz: An Artifact from Mickey Dubrow
I wouldn’t go so far as saying I was Jeff’s sidekick. A more accurate description would be to say that I was the Mr. Spock to his Captain Kirk. The Trapper John to his Hawkeye. The Lacey to his Cagney. He was the instigator. I was the willing partner in crime.



We first became friends in kindergarten. We lived in the same neighborhood. Over the years, he would drift away from time to time because he decided that I wasn’t cool enough to hang with him. But then, we’d run into each other at the mall or at a neighbor’s house and the friendship would pick up again as if we hadn’t missed a day.

When we were in our late teens, Jeff spent a year on a kibbutz. It wasn’t his choice to go to Israel and have this experience. His mother made him go because she desperately needed a break from the trouble he caused.

I never asked Jeff to write me while he was in Israel. He decided that on his own. I loved getting his letters, and not just because he had an amusing outlook on life. He wrote about three main topics: the hot weather, having to smoke hash instead of pot, and who he saw in concert. But now, Jeff was reaching out to me instead of the other way around. The letters meant that he valued our friendship as much as I did.

I particularly enjoyed this letter because Jeff had heard that I was feeling depressed and suicidal. He wanted to try and make me feel better. I didn’t stop feeling suicidal. I had to work that out on my own. But his letter did make me feel much better.

Mickey Dubrow read at True Story #4 in April 2010. To share an artifact of your own and the story that goes with it, send it to truestoryga(at)gmail(dot)com.

Saturday, August 27, 2011

Artifact #4: Teddy's Dreams





Teddy's Dreams: An Artifact from Jack Walsh

My first attempt at storytelling was a series of books (I called them books at the time; they are, at most, five pages long) called Teddy's Dreams. And they feature Teddy, who is either a teddy bear or a real bear. I don't remember which.





I think these date from when I was about five and a half. I would draw the pictures and then dictate accompanying text to my Mom, who wrote it in crayon. My 93-year-old grandmother was looking at these recently and said, "You had such good handwriting when you were a child."



In most of these, Teddy is doing something fairly exciting or adventurous or interesting. In the accompanying images we see him galloping in on a periwinkle horse (I remember being very taken with the periwinkle crayon for a while) to rescue a captive princess. Then he does some football stuff with the football (this was the depth of my understanding of the sport then; it is marginally deeper now) and goes for a ride on his shiny new moped (presumably, Teddy was not a drunk who had lost his license, which was frequently the safe assumption in rural Appalachia). This book ends with Teddy kicking back to eat some honey. It should be noted that every book ends with Teddy eating honey. I'm not sure if this was intended to be Teddy's ultimate dream or, rather, Teddy's ongoing reality.






Looking at these now, it seems Teddy's Dreams was perhaps a means for me to work out my future "when I grow up" aspirations with Teddy as my on-page proxy. The most obvious and little-boy-stereotypical are Teddy as policeman, firefighter, and army helicopter pilot. There are some where the appeal seems less obvious, most notably Teddy working a cash register under the caption "Teddy the Grocery Bear."

The attention paid to some details over others is interesting. “Teddy Doing Arithmetic” is mostly an ill-defined blob of brown, but despite the laziness of the color palette, I nevertheless took the time to include not only a cutaway of Teddy working out 2 + 2 but also a wall-mounted portrait of Teddy’s blonde bear girlfriend.





While almost every page of Teddy's Dreams is a stand-alone tableau, there is an exception. In one book, set mostly on a raft at sea, I experimented with an actual linear narrative that went like this:

Page 1: Teddy is seasick.

Page 2: Teddy is more seasick

Page 3: Teddy is most seasick.

Page 4: Teddy is well and at Adventure-Land.

Page 5: Teddy eating honey.

That ending practically wrote itself.



Jack Walsh read at "True Story!" #7 in December 2010. Want to share an artifact of your own and the story that goes with it? Send it to truestoryga(at)gmail(dot)com.

Thursday, August 4, 2011

Artifact #3: I Faked my Name.


(Good g-d that's such a little kid in that picture! )

I Faked my Name: An Artifact from Jessica Handler

Okay, I’ll own up at the get-go. I worked in the Dream Factory – Hollywood. I wasn’t a celebrity, or a celebrity-hanger on, or a rarefied director or producer. The closest I usually got to celebrities, other than next in line at the Irvine Ranch Market at the Beverly Center, was at work, shepherding a member of that rarified society from the green room – a holding pen with a cheese tray and iced diet sodas - into the hallway, where an assistant director took over, herding them the next few yards to the stage. This activity was always timed so the house band could vamp a glossy riff on a celeb’s theme song.

There’s a show-biz term for people who aren’t celebrities; “civilians.” As a civilian, I worked backstage on a talk show. Before I worked on the talk show, I worked backstage for a game show, a land where success was measured in on-camera joyous tears.

But this was the eighties, so even civilians dressed like stars. We all tried to have very big hair. We squeezed ourselves into extremely tight pants, and wore jackets with shoulder pads resembling family-sized loaves of bread. I freshened my swaths of dark red lipstick on the hour, until a make-up artist (who had been a child star – another true confession) told me that if I put talcum powder on my lips first, “like the French,” my lipstick would stay on all day. I don’t know if this is the French method, but it worked.

Despite the grueling hours I spent steering celebrities through basement hallways, and decimating forest acreage by extreme quantities of script photocopying, I occasionally got time off. And it’s on one of these days off that I deliberately misrepresented myself to an innocent little kid.

On that Sunday, I met a friend for brunch at a restaurant in Malibu. She picked the place; the kind of restaurant with the faux-casual patio seating offering warm Pacific breezes and a cinematic cliff-side view, or for the less fortunate, a wall of picture windows.

I drove out to Malibu in my half-dead car. My car was the color of my lipstick, except for the speckles of Bond-o. My spiky hair was sturdily gelled, my lipstick impermeable.

I shelled out for valet parking at the restaurant. I was feeling flush. My friend got a table with a view of the ocean, and the California sunshine guaranteed flattering lighting. We had a wonderful time. After we’d worked our way through bagels, lox, eggs, an opulent fruit salad you can only get in California, and more than a few Bloody Marys, I started to have that creepy feeling you get when someone’s watching you.

At first, I resisted the urge to look around and find the starer. Instead, I paid closer attention to my friend’s gossip about college pals. Behind me, the staring grew more intense. A magnetic force emanated from the middle of the restaurant. My friend’s voice faded into the general hum of the room, and I found I couldn’t resist the pull of the stare. I gave in. I turned, prepared to meet my very own paparazzi.

It was a kid - a little boy maybe ten years old. Sweet faced, blonde, dressed in a button-down shirt and jeans. And holding out a smudgy paper napkin and a ballpoint pen.

“Uh, hi?” I said.

The boy smiled at me, awkwardly, and extended the pen and napkin closer to me. He shifted from foot to foot, and smiled harder. Smiling would make me do something.

Despite the paper and pen, I had no idea what he wanted.

I looked past him, searching for clues from the other diners. No one noticed us, until I saw a middle-aged couple at a table a few feet away. The man waved, that wiggly finger shy wave. The woman beamed, and made a gentle shoving motion toward her little boy. Shoo. G’wan. This was a family of tourists. I could tell because Mom wore an appliquéd sweatshirt.

Beside me, the boy cleared his throat, or tried to. He made sort of a squeaking sound.

“Glurk?” he asked.

“Huh?” I replied.

“Can I have your autograph?” the boy said.

He was gaining confidence, probably because I proved to be slower on the uptake than he had predicted. He pushed the pen and napkin toward me one more time.

I froze. This kid – and his parents – thought I was someone famous. Someone whose autograph on a crappy paper napkin from a breakfast place in Malibu they would treasure forever. Across the table, my friend, stifling a laugh, choked on her Bloody Mary. At my side, the little boy beamed at me. Across the room, his parents beamed at him.

And I did a terrible thing. I smiled back, and I reached for his napkin and pen.

“Sure!” I said.

What I wanted to say, what I should have done, was ask him, “Who am I?” Or I could have disguised my deceit and framed a leading question like, “Which of my movies is your favorite?” That way I could get a clue about who I was supposed to be. But what if movies were wrong, and he thought I was a TV star? Or a rock star?

What if he thought I was someone I didn’t actually like?

For as long as I’ve been old enough to hold a pen or pencil, I’ve been known for having really terrible handwriting. It’s a scrawl, unrecognizable in any language. I can’t read my own handwriting. So I went all out. I signed his paper napkin in the most deliberately awful loops and dashes I could muster. And I handed it back to him, and smiled.

He took the autograph, examined it – and gazed up at me with love in his eyes.

“Thank you so much!” he whispered, and scampered back to his parents.

Here’s the confession. I feel terrible about this. I wondered then, and I still wonder, which celebrity he thought – he was sure – he met that day. He met someone whose identity existed only in his eyes; a woman whose very bad handwriting, curved and thick as her lipstick, obscured her true identity.

That little boy must be grown by now, perhaps with kids of his own. I hope that on his way to being an adult he was once briefly presumed to be someone he wasn’t. I hope that on that occasion he went along with it, and that he forgives me.

I hope, too, that he managed to sell my panicky and elaborate autograph online or at a fan fair. True confession? I hope he got a good price for it.

Jessica Handler read at "True Story!" #1 in October 2009.
The next "True Story!" reading is Friday, August 19th, 8:00 p. at Kavarna in Decatur.

Thursday, July 28, 2011

Artifact #2: The Jetsetter

The Jetsetter: An Artifact from Kay Powell










There's something about other people's diaries.

Before she was the former renowned "Doyenne of the Death Beat," Kay Powell was a jetsetting journalist. She generously shares three rather juicy pages of a personal journal she kept on one international trip in the 1970s.

Kay read these aloud at "True Story!" #2 in Dec. 2009.

To submit a photograph of your own personal artifact, write truestoryga (at) gmail dot com. Include a note of explanation if necessary.

Sunday, July 24, 2011

Artifact #1: The Key


The Key: An Artifact from Randy Osborne

I was six years old when my parents split up. Dad disappeared, and my mother took a full-time secretarial job. She sent me across town to live with my grandmother, Madeline.

My last name would change when my mother remarried, but in 1961, it was Gardiner. A popular TV show then was “Adventures in Paradise,” starring the handsome and debonair Gardner McKay. Growing up with Mad, I became “The Little McKay.” She believed I resembled a smaller version of the actor.

Not until well into adulthood did I find my father, who also had remarried. His wife told me Dad once said that he didn’t want to live past 50, which I thought was odd. But when my father became a paraplegic as a result of an accident in Colorado – his second wife had left him by then – it made more sense.

In 1999, my second marriage ended and I was roaming the West when the news reached me of my mother’s death. I was staying in room 50 of the Paradise Inn, in Livingston, Montana.

Later, after my father passed away, I found among his papers a letter he had typed, perhaps drunkenly, to my mother. He expressed his regrets for ruining their life together and apologized. Jesus, he wrote, had saved him.

The letter, never mailed, was dated Aug. 5, 1989: the day before my father’s 63rd birthday, and exactly 10 years before the date on my mother’s death certificate.

I stored the box of my father’s ashes on a closet shelf for several years, unable to let them go. On my 50th birthday, I scattered them into the ocean off the coast of San Francisco, a place that's always felt like a paradise to me. I kept the key.

Randy Osborne read at "True Story!" #8 in January 2011.