Showing posts with label Jason Mallory. Show all posts
Showing posts with label Jason Mallory. Show all posts

Saturday, April 21, 2012

Success! See you in May for Artifact Night!



Last night's stellar performances from Susan Rebecca White, Myke Johns and Jason Mallory have us feeling like we're jumping rope inside this Go! Team song. Thanks, too, to Vouched Books, for bringing the tableful of impressive local lit. 


What's NEW/What's NEXT


Ohboy, ohboy, ohboy.


Friday, May 18th, True Story is hosting its first-ever All Artifact Night! 
That’s right: Six stouthearted souls shall share simple true stories about the objects from their past. 
Expect the strange. The tragic. The humorous. The embarrassing. All of it true! 


It's one night of pure show and tell for grown-ups. Friday, May 18th. 8:00 pm at Kavarna. Always free.

Thursday, April 19, 2012

What to Expect When You're Expecting True Story #14 Readers

...a.k.a., prose from our Friday, April 20th rogue readers--unless you know something about biology about which we, here at True Story, are completely unaware--in which case--err, congratulations and have a cigar?

(Note: Of course, these rogue writers may read selections other than these Friday.)



Susan Rebecca WHITE

from "Joie de Vivre Means Pain in my Ass, Right?”


Remember Susan Smith, the woman from South Carolina who drowned her two children? Everyone was talking about carjackings back then. You were supposed to lock your door the second you got in. Susan Smith said she’d been carjacked, that a black man held a gun to her head and forced her out of the car before he drove off with her kids.

That story scared us. Waiting for our low-impact aerobics class to begin, the ladies stretching in front of me whispered that this sort of tragedy would never, ever have happened back when they were girls. “Maybe things weren’t always fair,” said the one in the purple leotard, “But the world was safer. A black man would not dare go after a white baby.”

Waiting for Caroline to finish her acting class at the Alliance, Bootsy Biggers told me about all the ways a man could get into your house when you weren’t looking.

“Lock your door even if you’re just going back and forth carrying groceries in from the car,” she said. “You never know who might be waiting to get at you.”

And then the truth came out, that there had been no kidnapping, that Susan Smith had rolled the car off the boat ramp herself, her three-year old and eighteen-month old strapped inside, crying for their mommy before their cries were swallowed by the cold dark water. After that only one word was heard at the grocery, at church, waiting in the carpool line at Westwood: monster.

What kind of a monster would do such a thing?


Jason MALLORY

From “Everyone Has A Wheel: In Defense Of Summer”

Even Bryan Adams would have to admit that the summer in which he got his first real six-string and gawked at some girl on her mama’s porch paled in comparison to the one I was having in the Summer of 2011. I was living off a modest inheritance and a generous severance package from having been laid off earlier that year. I was never going to have to work again, for any man. My life was full of limitless possibility.

You see, I had $30,000. I was, for lack of a better term, hillbilly rich.

….The Summer of 2011 was so incredible that it protected me from the realities that I was not yet brave enough to face. Like an internet that was hugely indifferent to sarcastic movie reviews and science fiction podcasts. Like the fact that I had lost the best job I’ve ever had in my entire life. Or that my mother passed away after a long battle with cancer in the Spring of 2011. Or that these things happened within weeks of each other.


Myke JOHNS

I realize that many people reading this may have grown up in the South in the ‘80s and may remember the Turtles chain of music stores. They had a customer rewards program that involved tokens, and later stamps, and in certain locations, also rented movies. We had one in Conyers when I first moved down to Georgia. I remember that place.

This was not that. My “Turtles” was so in name only—the original chain had folded in the early ‘90s or thereabouts, and among the various corporate assets they sold was their name and logo, which was snapped up by the Music Network, which also owned Camelot Records and some other places and started buying up the failing Blockbuster Music chain stores around tertiary markets such as Milledgeville. Like many things found in shopping malls, we were only a hollow shell of that thing you remember from childhood. A hollow shell full of P Diddy CDs.

Much like it had in its previous life, Turtles was going out of business. I’d spent the past couple years there, humping a cash register and slinging Nappy Roots CDs until I was promoted--basically by default--to shift manager. So I’d get up in the morning, leave my sodden apartment, and open the store—dropping off the previous night’s take at the bank and ratcheting open the big metal shutters. Large red signs hung everywhere proclaiming STORE CLOSING. EVERYTHING ON SALE. ALL SALES ANAL. Actually, I’d crafted that last one using only a boxcutter, scotch tape and boredom.



Wednesday, April 4, 2012

Friday, April 20th Readers Announced!

Greetings!

Where the worlds of literature, rock 'n roll and the silver screen collide, you'll find True Story #14.

Our next night of artifacts and fine, fine writing begins with...

Susan Rebecca WHITE

Born and raised in Atlanta, Susan Rebecca White graduated from Brown University and received a Master of Fine Arts in Creative Writing from Hollins University, where she was awarded a teaching fellowship and the James Purdy Prize for outstanding fiction. Her debut novel, Bound South, a Southern Independent Booksellers Association (SIBA) bestseller, was shortlisted for the Townsend Award. Her second novel, A Soft Place to Land, was chosen as a Target pick and received wide critical acclaim, from the Atlanta-Journal Constitution to Vanity Fair magazine. Her third novel is slated for publication by Touchstone/Simon & Schuster in the spring of 2013.

Susan has been teaching creative writing at Emory University since 2009. She was the writer-in-resident at SCAD Atlanta during the winter of 2011.


Jason MALLORY

Jason Mallory is the founder of Scene Missing magazine, which in the publishing world is like being the founder of a newspaper insert of Target coupons, or the founder of a Chipolte bag that's particularly descriptive of the burrito deliciousness that's contained within. Come to think of it, at least with the Chipolte bag you get to eat delicious food. Scene Missing Magazine offers no sour cream or salsa, or even guacamole. Jason lives in Atlanta.


Myke JOHNS

Myke Johns, like presumably the rest of you, harbors niche interests. He's been able to parlay some of into a job as a public radio producer. When he's not busy being "intrepid," he's one of the evil nerds behind WRITE CLUB Atlanta and, despite being older than 19, persists at playing in a rock and roll band called Mice in Cars.

Okay, that got awkward. Sorry. He wrote this.


So that's it! Writers both rogue...and oddly self-deprecating. Don't let their modesty fool you; it'll be a wang-dang-doodle April 20th. All night long.* We warned you.

(*or from 8:00-10:00 pm, roughly, give or take half an hour.)